Wes Anderson gets bolder with visual expressions. It’s a personal letter to all the things Anderson loves, such as cuisine, French youth culture in the 60s, and traditional print media. Even the tiniest details are infused with nostalgia. It reminds me of Quentin Tarantino somehow but came out with his unique style.
因為奧斯卡獲獎來看這部片子說實話有點(diǎn)失望拍的畫面和情感非常美這點(diǎn)無可指摘2009犯罪升級只是敘事很多大多用采訪撐起而且一直在tell not show影像多用來營造氛圍但并沒有參與敘事讓人覺得有點(diǎn)像入門級作品但小象們實在太可愛了人與象之間的感情也非常真摯選了個好題材就成功了一多半了